Memorial Library Rm 126 @ 4:00 pm CDT
We often think of cinema’s politics as matters of subject and style, distribution and reception. This talk, however, locates them in film’s raw materials—in substances like silver, gelatin, and cotton, on which cinema’s play of light and shadow depends. It does so through the case of Nazi Germany, examining the Agfa film company’s embrace of the fascist politics of autarky (material and economic self-sufficiency).